Name-drops and covers by metal bands like Metallica and Guns N' Roses kept the Misfits' songs circulating during the mid- to late '80s, when their tangled discography remained only sporadically in print - reissues were maddeningly incomplete, and much of the band's prime material was confined to rare singles and EPs. Rather, it was Danzig's penchant for catchy, anthemic melodies, often delivered at warp speed, and his lyrical obsession with grade-B horror films and splatter imagery that helped the Misfits build a rabid posthumous following. It certainly wasn't the Misfits' musicianship - which was as crude as the recording quality of most of their oeuvre - that endeared them to so many, although Glenn Danzig possessed one of the most distinctive and tuneful bellows in hardcore punk. Genuinely shocking or tasteless, campy fun? It was sometimes hard to tell which way the Misfits wanted to be taken, and the immense cult following that has grown up in the years after their actual existence (1977-1983) seems divided in its own assessment.
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